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This week, the one and only Jon Hamm and the one and only Elmo teach us all we ever needed to know about sculture. There is absolutely nothing to not love about this video. Oh, Jon Hamm. *sigh*
"What If The World's Most Notorious Serial Killer . . . Was Your Dad?"
Lyga created a complex character, Jasper known as Jazz by family and friends, whom most of us can relate to. Not because he's the son of a serial killer, but because he struggles with memories of his growing up years.
He tries to understand them and to sort through his memories to know himself for who he is, rather than what others may think he is or who his father tried to craft him into becoming.
A river of images and thoughts and feeling, dirtied and polluted so that no one could drink from it without gagging... Jazz knew killers. Billy [ Jazz's father] had studied the serial killers of the past the way a painter studies the Renaissance masters. He learned from their mistakes. He obsessed over them. And he passed his knowledge down to his son. Lucky Jazz--those were the things he remembered from his childhood.
Jazz wonders about his lineage. Perhaps, he muses, caring for his grandmother whose mind flits randomly from one thought to another in a crazy zig-zag that often coalesced into cruelty causes Jazz to wonder about his relationship with her.
Note from Sarah: This is a guest post from my wonderful husband, Josh. This week, his childhood favorite comedian, Jonathan Winters, passed away, and Josh asked me if he could write something in memoriam, saying that Jonathan Winters was his Judy Blume. If you're so inclined, you can follow Josh on frequently-updated Tumblr or stalk him on his rarely-used Twitter account.
This guy was from Dayton. Someone from where I was from was amazing and funny. This was my new hero, someone who made me laugh and who had the same points of reference I did.
At some point I realized "What? he was actually from Springfield!" Even closer, where the mall was! He could have gone to the same theatre as me to see ET (this was in point of fact impossible since the mall was a long way off when he was there, but it didn't matter to my six-year-old).
I bugged my dad about more stories, learned how he studied art at the Museum, where I thought for the longest time he must have just walked around and looked at the pictures and drew them (funny I now ply my trade at is essentially one of these Museum schools). At the time is sounded like the education of a genius, and it still kind of does. I learned about his time on WHIO Radio, how he acted like a goofball on the air.
Open Culture recently shared this intriguing YouTube of rare photos and video of F. Scott and Zelda Fitzgerald. They bring up some concerns about whether or not some of the images and clips are properly identified, but most are clearly of the pair, and it's pretty amazing to see so many collected in a single place.
Audiobooks have never really worked for me--I'm not sure why, but I suspect that because my previous attempts at audiobooking were pre-iPod, so a lot of the listening was annoying on a technical level, with the messing with CDs and all. I also think I'd chosen the wrong types of books for audio, since if I recall correctly, I mostly chose long, complex books, which weren't the easiest for me to track in shorter chunks while operating a motorized vehicle.
I adored finishing the the wonderful Curse Workers series on audio. Jesse Eisenberg narrates and adds so much to Cassel's voice, actually making him sound more teenage and funny, which I didn't pick up in the first book, which I read in the traditional way.
I also loved listening to Catherine Gilbert Murdock's phenomenal Dairy Queen series (recommended by Flannery), which I'd actually started as an ebook a couple years ago and for some reason I couldn't get into (probably a wrong frame of mind thing). The narrator does a brilliant job of capturing both the Wisconsin accent and D.J.'s neurotic, self-deprecating tone.
But as I’ve thought about the novel over the past two months, mulling over the possibility that I was perhaps being too sensitive, that the possibility of my being too sensitive was unfairly impacting my view of the rest of the book, and the book as a whole, my final analysis has always been the same: I don’t believe this book.
I don’t believe the historical context.
I don’t believe the characters.
I don’t believe the romance.
Eleanor and Park is framed as a historical novel, taking place in Omaha, Nebraska, the author Rainbow Rowell’s hometown, in 1986. Our titular 16-year-old characters meet on the school bus when Park grudgingly allows new kid Eleanor to share his seat.
Park is half-Korean, his parents having met and married in South Korea, where his father was stationed as a member of the army. Hmmmmm. Okay, so they met around 1968? 1969? I have to assume it was no later than 1969 since as a sixteen year old in 1986, Park would have to have been born in 1970. So...during the height of the Vietnam War, when a draft was in place to send as many young men as possible into the fray, Park’s father, an able-bodied member of the U.S. military was...stationed at an army base in Korea. Possible, I suppose, but still a bit ludicrous to me.
Ok, so then his parents get married and move to his father’s hometown of Omaha, Nebraska where Park is raised and, according to Park, the good people of Omaha,
“...couldn’t call him a freak or a [anti-Asian slur] or a [homosexual slur], because—well, first, because his dad was a giant and a veteran and from the neighborhood.”
Let me get this straight.
In the past there's been many wackadoodle anti-ebook rants, but this week, Turow steps it up and takes on libraries. Yes, libraries.
Apparently, Turow and the Authors Guild believe that libraries offering ebooks is yet another in a vast conspiracy against authors. (He also--perplexingly--accuses "search engines" of conspiring against authors as well; read Tech Dirt's analysis of that lunacy.)
Now many public libraries want to lend e-books, not simply to patrons who come in to download, but to anybody with a reading device, a library card and an Internet connection. In this new reality, the only incentive to buy, rather than borrow, an e-book is the fact that the lent copy vanishes after a couple of weeks. As a result, many publishers currently refuse to sell e-books to public libraries.
In his piece, Turow chooses to ignore a number of facts in favor of grand statements (hey, why let facts get in the way of a good argument?). But what struck me most was Turow's bizarre assumption that library users who can easily (and that's debateable for anyone who's used Overdrive) access ebooks won't buy books, that instead they'll simply click and download books "for free*"
I suspect my lack of engagement with historical fiction has to do with my having read a lot of excellent historical narrative non-fiction in college, graduate school and later. Top-notch works from that genre just grab me in a way that fiction often falters. It may sound snotty, but it's true.
However, I keep revisiting historical fiction because I want to revisit that love I once had--it used to thrill me to visit a time period other than my own and feel immersed in the experiences inherent to that time. Recently, I tried out a couple more historical novels, both YA, one a realistic novel set in 1938 Los Angeles, the other a historical with fantasy elements set in the pre-Civil War American South. Unfortunately, I was unable to finish either, but on the bright side, I think they both have audiences who will adore them.
Fifteen-year-old Carey leads you through the story of herself and her younger sister, Jenessa, who lived in a dilapidated old camper in the depths of a national forest. Their mother, a meth addict, fabricates a reason for the life in the forest. She holds them there to keep them "safe" from Carey's father who she claims will wreak great harm and havoc upon their serene woodland existence if he should find them.
The mother comes and goes as she desires. Her mission in life is to fulfill her need for meth; to that end, she willingly puts her children in jeopardy to keep herself high. The only people the two girls see is the occasional man coming in search of payment for their mother's drugs. The girls have lived in the forest for ten years with a few books, scant food supplies, a violin and their mother's stories of the horrible fate that awaits them outside their forest home.
Is it a genre? Is it a category? Is it even a thing in the real world beyond the internet? Why are most of the New Adult novels seemingly contemporary romance with 18-24 year old? What types of books would we like to see come out of this trend?
As an added bonus, we both reflect on what we were like during that tumultuous--and hilarious--time in our lives. e'd love to hear your thoughts on what you'd like to see from this trend.
You can listen by steaming the audio in this post, by control- or right-clicking the "download" link or subscribing in iTunes. (If you're an iTuner, we very much appreciate your rating the podcast--it helps us show up in searches.)
Thanks for listening!
I adored Before Sunrise (which I saw in the theater my senior year of high school and thought was the most romantic thing ever--sigh) and very much enjoyed the not-resolution in the 2004 movie, Before Sunset. There's a part of me that's ridiculously nervous about the third installment that's coming out this year, Before Midnight. But, obviously, I'll be seeing it as soon as it hits the theaters later this year.
Amazon Buys Goodreads (paidcontent.org)
Goodreads is also likely to be less open with access to its data now that it has been acquired by Amazon. In the past, the company has shared information about how its readers discover and buy books and about their digital reading habits, presenting the data at conferences and in blog posts.
Undoubtedly, the biggest book news this week is that Amazon acquired Goodreads. I'm going to be honest, this didn't surprise me in the least. I remember a year or so ago, Jane at Dear Author predicted that this would happen and I recall thinking that while I, as a Goodreads user, consumer and person who lives in the world, didn't like the idea, from a business perspective, it would be a smart move for Amazon.
Those of you who are Goodreads friends with me have probably noticed that I don't update or comment there as frequently as have in the past. That has more to do with the way the climate has changed, particularly that as the self-published books have been dominating my friend feed and all the drama and fighting that erupted awhile back.
Frankly, this news makes me want to be even more careful about the information I post on Goodreads, due to my increasing paranoia about Big Data. It's tough, because I am an Amazon customer, and love my Kindle, but I am so uncomfortable with the integration of all my information (hence, I don't link my Facebook account to Goodreads either) and the fact that it seems like all information will be owned by Amazon, Google or Facebook.
Sigh...
Frankly, I'd assumed that the Shatter Me series was yet another in a long series of dystopian copycats that are just okay. (I'm looking at you, Divergent, Legend, Delirium, et al.) However, to my surprise, I was absolutely sucked into the--and I mean this in a good way--absolute weirdness of the writing style and narration.
Juliette has spent her teen years locked away in a prison because her touch is fatal--she's killed before. Her family has shunned her and the system doesn't care about her. So she sits in a cell. Alone. Abandoned.
All I ever wanted was to reach out and touch another human being not just with my hands but with my heart.
She frantically scribbles her semi-maniacal thoughts in a journal, until one day, she's no longer by herself. A new prisoner is locked up in her cell--it's Adam a boy from her past who has secrets of his own.
Eventually (intentional vagueness here to avoid spoilage), the story's location shifts to the compound of the regional government, where the young madman Warner, hopes to figure out how to use Juliette's power for his own destructive purposes.
In that spirit--and as a service to the world--today, I'm counting down the top ten best lyrics from Justin Timberlake's new album. Someone had to do it, right?
And now it's clear as this promise
That we're making
Two reflections into one
Cause it's like you're my mirror
My mirror staring back at me, staring back at me
--Mirrors
Mirrors is kind of narcissistic if you analyze it literally, now that I think about it, but still... Anyway, I'm going to go with the belief that this is a song about Justin & Jessica and the idea of two halves of the same whole, yada yada.
Bonus: This is a rare song which is better with the video--and not just because of the crazy dancing at the end.
C'mon and dance,
C'mon baby dance with me
Take my hand,
Get on the floor
C'mon baby dance with me
Please don't hold the wall
Please don't hold the wall tonight
We're gonna do it all,
So please don't hold the wall tonight
--Don't Hold the Wall
I'm conflicted. What do you do when Justin Timberlake encourages you to dance, dance? I mean, you'll never be able to match JT's moves, so that's a lot of pressure. However, I suspect that Justin also doesn't judge bad dancing, as long as you're feeling the music or what have you.
I read the first two books in Kim Derting's Body Finder series, but then decided to wait until the series was completed to finish it up (I have cut way back on my series reading, because it was actually getting hard to keep things straight). I picked up the third book in this series at a super-fun event the author hosted at Powell's along with one of my favorites, Lisa Schroeder, back in February. (I also won an ARC of the final book in the series, Dead Silence, by identifying whose tweets were whose--apparently, I spend a lot of time on social media.Ahem.)
I've recommended The Body Finder series to so many people, particularly Actual Teens, who like mysteries of paranormal stories, because these books really do it right. The aspect of this series that I think is really quite good is the relationship between Violet and her childhood best friend turned boyfriend, Jay. It's warm, it's grown through the series and avoids the yucky gender dynamics of many paranormal YA novels. (You know what I mean.)
However! I have many links of interestingness, including a Very Special Section devoted to the one and only Justin Timberlake. I have had The 20/20 Experience on repeat since Tuesday and I am in love--especially with Pusher Love Girl, which is Swoon City, USA.
This is a fantastic speculative ad for Durex--it's brilliant and actually tells you want you need to know about the product.
Jane Goodall’s ‘Seeds of Hope’ book contains borrowed passages without attribution (Wash. Post)
Jane Goodall, the primatologist celebrated for her meticulous studies of chimps in the wild, is releasing a book next month on the plant world that contains at least a dozen passages borrowed without attribution, or footnotes, from a variety of Web sites.The borrowings in “Seeds of Hope: Wisdom and Wonder From the World of Plants” range from phrases to an entire paragraph from Web sites such as Wikipedia and others that focus on astrology, tobacco, beer, nature and organic tea.
Well, this is disappointing news to say the least. I'm getting so weary of one plagiarism story after another. I realize there are so many pressures to publish, publish, publish, but it's at the point I'm no longer all that surprised by each week's plagiarism story. What worries me the most is the desensitizing--I have had a number of students in their 20s who have been surprised by my anti-plagiarism spiel because it's the first time they've had someone explicitly address the issue of plagiarism and what it precisely means.
Triangle Type: The Classic - Two Brothers Heart One Girl; Girl Hearts Two Brothers--Yo, It's Complicated!
This series not only features a love triangle (and it's really "love") because Belly really cares about both brothers, Jeremiah and Conrad, and they care about her. Their shared history of summers spent together at the shore makes the complexity of the relationships completely believable--it's achy and the dramatics are irresistible. Read my review here.
The clouds shifted, and the glow of sun brightened on my face. “But she's from a really wealthy family, a good family, and she's a freshman at Smith College in Massachusetts. She even flies a plane. Charlotte kept telling me that I should apply to Smith. I know it sounds ridiculous, me being able to go to a prestigious school like that, but she sent me all the information.”Suddenly, the insanity of the whole thing came into focus, and I nearly laughed.
“But for some reason, I began to want it, really badly. I told Willie, and she was mad. She said I had to go to school here in New Orleans, that I was out of my league trying to get into a college like that.”
Willie Woodley, the madam who owns and officiates over a high class brothel on Conti Street in New Orleans loves Josie Moraine as only a mother can love a child, love that never came from Josie's mother. Set in the milieu unique to the fifties, Out of the Easy brings a flavor and cast of characters that only that time and place can offer.
Josie and Willie stole my heart. I cheered for them; shed a tear or two for them when I despaired for them; and most of all, believed in them.
Josie's mother, Louise, has no redeeming qualities. She's a prostitute with no qualms about who she uses for her own purposes, which is mainly to use others to get what she wants--money and things. At age seven Josie comes to live in Willie's brothel with her mother who has no consideration for what Josie will see or experience. This house frames its beguiling women in dark brocade curtains, crystal chandeliers and paintings on the walls of nude women with expansive nipples.
Josie much prefers the local bookstore. She wanders about the shop in awe of the many books that rise above her like skyscrapers. Charlie, the owner, notices this quiet child. He befriends her and by the time she reaches eleven, he's offered her a room in his attic. To Josie, it's a secret garden filled with the smell of paper, the whisper of pages turning and the kindness of a truly fine person.